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The thrill of being able to download new Boomtown Rats material is wonderful. And I personally think 'The Boomtown Rats' is pretty cool and it really grows on you. It's cool for a band to make new sounding records rather than just nostalgia. So let's lay off the new songs- I personally think it's great
The thrill of being able to download new Boomtown Rats material is wonderful. And I personally think 'The Boomtown Rats' is pretty cool and it really grows on you. It's cool for a band to make new sounding records rather than just nostalgia. So let's lay off the new songs- I personally think it's great.
Very impressed with the dedication of being up at 1am downloading Boomtown Rats songs when released
I heard a snippet of Back to Boomtown on Amazon, didn't download it. It is sounding much much better than The Boomtown Rats. It is a proper song to me. Hope my copy of the album appears in the post today.
Oh how I'd love to have a Clash box set and I NEED the Arctic Monkeys' latest album. Cash flow is a major problem, however.
Oh how I'd love to have a Clash box set and I NEED the Arctic Monkeys' latest album. Cash flow is a major problem, however.
Too many interesting things getting released. Having bought the suede vinyl box, I need to think about these, but then again, if I only go to Dublin on Sunday, then I'll save enough
I heard a snippet of Back to Boomtown on Amazon, didn't download it. It is sounding much much better than The Boomtown Rats. It is a proper song to me. Hope my copy of the album appears in the post today.
Oh how I'd love to have a Clash box set and I NEED the Arctic Monkeys' latest album. Cash flow is a major problem, however.
HMV has reopened in Henry St Dublin at the weekend. The new greatest hits is selling for about 15 euro, and the older version for half the price, with a better track selection in my opinion.
I agree with Jules, the song Back To Boomtown sounds better. I too have only heard the sample mp3 on Amazon. Simon's backing vocals sound 'suspiciously' like a very famous song by Arcade Fire, but maybe that's just my imagination.
Have to agree with you Think both new songs are very good. Got the new cd today and i have to say the sound is much improved Also ordered box set. Lets hope it comes with all the b sides as well
Have to agree with you Think both new songs are very good. Got the new cd today and i have to say the sound is much improved
Also ordered box set. Lets hope it comes with all the b sides as well
I think the two songs are OK, but not really impressive. Had say Systematic 6 - Pack being a bonus track (and not on Geldof's last album) I would have been eulogising that the Rats were back, but not with these songs. Not as bad as Charmed Lives or Another Piece of Red, but not a patch on anything off the first three LPs and most of the others.
Having said I like the new track, I am by no means making any comparison with the first 3 albums. It goes nowhere near it. A good song, but nothing like the class and quality of the early Rats music. I didn't expect anything of it though, so was pleasantly surprised.
The wife liked The Boomtown Rats whereas I much preferred Back to Boomtown before this week-end started. We had 3 listens of the former on the way back from Blackpool and 5 of the latter (I drove, steering wheel controls). I had not really felt The Boomtown Rats went up on my likeability scale but she thinks Back to Boomtown is a real grower and rates them equally good now.
Only thing is she asked me what a 'stolen dream' is, as if I know the meaning of all their lyrics, and then seemed disappointed when I didn't know.
The wife liked The Boomtown Rats whereas I much preferred Back to Boomtown before this week-end started. We had 3 listens of the former on the way back from Blackpool and 5 of the latter (I drove, steering wheel controls). I had not really felt The Boomtown Rats went up on my likeability scale but she thinks Back to Boomtown is a real grower and rates them equally good now.
Only thing is she asked me what a 'stolen dream' is, as if I know the meaning of all their lyrics, and then seemed disappointed when I didn't know.
do you wake up from that stolen dream
To find yourself in someones nightmare scene The streets like trees stripped bare The empty houses stare While the thieves and the liars of the night Creep away to steal Somewhere else
I think the song is about the economic downturn In Ireland/Dublin. The 'stolen dream' is how the economy of Ireland was once booming,and there was plenty of money and jobs around. Young people could get on the property ladder and live in their own country, without having to emigrate.
The 'empty houses' seems a reference to half build estates, a big problem in Ireland. The liars and thieves of the night are the middle men and bankers and builders who profited from the boom at the expense of the ordinary folk.
In a nutshell Geldof is commenting on how very reasonable or ordinary 'dreams' of prosperity and stability were stolen from a lot of Irish people by a minority in the banking and financial sector. Certainly the antics of the Anglo Irish Bank might have been a part inspiration.
Turns out this track was played 2 weeks ago today on Radio 2's breakfast show - there's a small of clip of it available and unless the Beeb's played about with it, there's a truncated version of this track about which goes:
It lies bleeding
Boomtown's lying bleeding
It felt the sun for a second shine down upon it's face
The streets like trees stripped bare
and so misses out the heavy rains coming/sun not shining on Billy's face no more/stolen dream/nightmare scene lines
this detracts enormously from what is really a very good track
Was listening to 'The Boomtown Rats' and couldn't help but think if those words were replaced with something like 'Ibiza Nights' and band name changed this would get played and stand half a chance. Ok so lyrics might need adjusting too but you get my drift I hope.
I suppose if they changed their name to Daft Punk, made it sound like Chic, and kept singing You Don't know how lucky you are, it could be a number one smash. But it would still be sh!te.
But point is the 'sound' is contemporary enough to warrant some attention, so removing the giveaway bits would ambush any snobby prejudiced playlist guy at radio stations, and maybe even club DJs.
Sad that the guys are on a hiding to nothing. Make them like they used to, no one plays the songs, make them relevant to today, dismissed for who they are and what they represent.
But point is the 'sound' is contemporary enough to warrant some attention, so removing the giveaway bits would ambush any snobby prejudiced playlist guy at radio stations, and maybe even club DJs.
Sad that the guys are on a hiding to nothing. Make them like they used to, no one plays the songs, make them relevant to today, dismissed for who they are and what they represent.
I don't think it's ****e at all - just doomed.
What does it matter anymore? Even bands like The Black Keys struggle to break the top 100 singles but get plenty of radio play on Xfm. The rats at their best played the sort of music often played on xfm and radio 6 nowadays. Make a great album and it gets played. Look at Bowie. He gets played on the radio.
Has any 1970s band come back and had a new hit? Selling out Vicar Street and The Roundhouse is a very good sign. If nothing else twenty to thirty thousand or more will see them and maybe listen to the new songs. I don't want them to have hits for the youth, I want them to make music for coffin dodgers. There's a club they may get played at.
The Kaiser Chiefs have not had a chart hit for about 4 years. Singer Ricky Wilson has resorted to going on The Voice tv show next year to up the profile of his band. Says something about the age we live in.
The 'golden age' or rock and roll was probably from 1967-99. Now it is all 'changed utterly', in the words of Yeats.
-- Edited by noelindublin on Friday 4th of October 2013 12:31:08 PM
Only one I can think of is Blondie and Maria, which must have been 20 odd years from heyday.
I should have qualified my question with this century as even 1999 was a long time ago now.
For the Rats to break the top 100 would be unlikely. Looking at the current rundown, Arctic Moneys, Kings of Leon and Jake Bugg are in the top fifty with music not unlike The Rats, but the rest is the sort of thing no self ctingult should listen to. Bowie breaking the top 10 is the only reall ssault on the top ten by any oldie in recent years. Paul Weller with a pretty hard core following occasionally makes the top 100 and even then needs to collaborate with the likes of Graham Coxon to do that. Even bands like Franz Ferdinand don't make a dent on the top 100 with a fair amount of radio play.
It would be good to get some radio play, but the only stations I can see playing new Rats music are BBC Radio 6, with a very small audience, BBC Radio 2 and at a stretch, XFM. Absolute will play the old stuff, but that's about it.
The only important thing for me is do I think the songs are any good.
On repeated listening, Back To Boomtown is quite enjoyable and acceptably stands alongside anything post-Tonic. The Boomtown Rats! is more ambitious, a good for the band to come on stage to if the crowd get chanting, but that's it. I'm not really qualified to say what does or doesn't work in clubs but from my limited exposure to dance/club music it sounds like old geezers trying to hard to be down with the kids.
The Kaiser Chiefs have not had a chart hit for about 4 years. Singer Ricky Wilson has resorted to going on The Voice tv show next year to up the profile of his band. Says something about the age we live in.
The 'golden age' or rock and roll was probably from 1967-99. Now it is all 'changed utterly', in the words of Yeats.
I would say that rock 'n' rolll is is a pretty healthy state right now. After a few years in the doldrums after the class of 2004/2005 didn't go on to do anything in particular, this year has seen Bowie, Pulp and some outfit called the Boomtown Rats release new songs; whilst some of the sebands may not be to my particular taste, Bowie, Bastille, Mumford & Sons, The 1975. Arctic Monkeys and Kings of Leon have all topped the album charts. And plenty of bands are doing biggish sell out dates at venues like the Roundhouse including Franz Ferdinand and The Boomtown Rats
Making dance records just as we are entering the fifth wave of guitar led music is a mistake.