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Apparently Like Clockwork was a big hit inGermany; I'm surprised it wasn't adopted as the national anthem given the efficiency of the place. Where else would a coach service not only depart at precisely the right time but also reach its destination 85km away just as the clock ticked over to the exact minute of timetabled arrival?
The fact then that the Rats allotted forty minute set overran by some fifteen minutes didn't go down very well with the meticulous organisers of Kiel 'Oldies Nacht'. Fortunately it went down slightly better with the thousand-plus crowd in the Sparkassen Arena, especially as the overrun included Rat Trap, She's So Modern and Mondays, but in truth this wasn't a vintage performance. Using supplied amps and drums clearly didn't help the band settle, neither did limited soundcheck opportunity following a rushed journey which included delays transferring flights in Amsterdam. The fact that the show was good if not great is testimony to their professionalism, but fast forward 24 hours to Bognor with familiar gear and the difference in sound and bonhomie was stark. Both sets included Mary, Someone's Looking, Diamond Smiles, Clockwork, Riot in Cell Block #9, Do You in and the aforementioned, with the only change seeing Looking After Number One dropped in favour of Joey by Sunday night. No new set entries just yet....
On a personal level, the gig itself didn't detract from a memorable weekend. I was wandering down Hamburg High Strasse (my limited/non-existent German will be a theme here) barely 3 hours after leaving home, and managed to take in a quick detour to St Pauli FC before exploring the Reeperbahn, all in the interests of British rock history you'll understand. After a prolonged and fairly amusing (maybe not for the growing queue behind me) attempt to articulate 'no cheese', I was eventually sustained by a swift hamburger - what else? - before another prolonged attempt to obtain a train ticket to Kiel from a machine that, not unreasonably I suppose, had German only instructions. Quite why I thought it was inspired to select 'hilfe' (help), one of the handful of German words known to me, when all that revealed was just how many words are unknown to me I've yet to work out. A perfunctory conversation at the ticket office, which mainly consisted of me saying 'Kiel bitte' whilst pointing randomly as if that was the universal language for 'one way only' eventually yielded a ticket, and another fairly disgruntled queue.
It's fair to say Kiel didn't have too much to offer the casual visitor, although hopes rose that I' stumbled across the local Reeperbahn when I spied a sign proclaiming 'Kochfest'. As it transpired hopes were all that did rise as the place was full of cast iron cookware and kitchen utensils, but my German vocabulary got expanded if nothing else.
Was lucky enough to be in same hotel as the band, which allowed for a good bit of banter in the bar as the bier and schnapps flowed, although the dawn thunderstorm my thumping head could have done without. It occurred to me laying there that my German did actually run to 'donner und blitzen, which led to rapid conclusion that they were no hilfe at all in every day conversation.
Flight home was brightened by striking up conversation with a very pleasant and fascinating German girl who runs a psychotherapy business in London and also does flying trapeze in her spare time. Not a sentence I ever thought I'd utter. Did make the journey pass very quickly though, and served to highlight just how inferior the English are when it comes to mastery of foreign languages.
Bognor was simply brilliant. Band confidence restored by their own equipment, the show went down an absolute storm with a good 700 assembled Butlin's weekenders clad in 70s (predominantly glam) apparel.
Roll on Swindon in January!
Few pics from the weekend below (including a shot of the family business at the Beatles Platz on Reeperbahn )
A German art gallery is in the German language a Kunstmuseum and sometimes they can be suddenly inundated with boozly British tourists thinking the are in the local RLD.
The Nederlands is really great for speaking English, but Germany and France much less so, in my experience.
Rats in Butlins? Hopefully in the spring and summer they can line up some more credible vunue's as on the surface it sounds a bit sad and I'm not sure if a lot of fans would turn up at such a venue to see a once great band reduced to this. Maybe this is controversal but surely they have a bit more credibility and someone needs to say this.
noelindublin wrote:Rats in Butlins? Hopefully in the spring and summer they can line up some more credible vunue's as on the surface it sounds a bit sad and I'm not sure if a lot of fans would turn up at such a venue to see a once great band reduced to this. Maybe this is controversal but surely they have a bit more credibility and someone needs to say this.
I don't think it is controversial.
When the new Rats started they played the 100 Club and the Empress Ballroom and my hope was that they would build an audience from festival appearances and maybe one day play larger venues again. Now it's the Bognor 70s weekend.
However, in order to keep playing they probably have to take these less than credible gigs, and who knows they may get bigger audiences because of it.
The Rats seem to be falling between the two stools of a reunion and a tribute band. IMHO they are the former rather than the latter, but are increasingly becoming associated with the tribute bands. Sans Geldof, that is probably how most people see them.
Right now, I'm glad there is a band called The Boomtown Rats playing gigs around the UK, and losing a bit of credibility (if they have any in some people's eyes) doesn't seem too high a price to pay for that. I'll still go and see them. Though maybe not at Butlins.
A German art gallery is in the German language a Kunstmuseum and sometimes they can be suddenly inundated with boozly British tourists thinking the are in the local RLD.
The Nederlands is really great for speaking English, but Germany and France much less so, in my experience.
Rats in Butlins? Hopefully in the spring and summer they can line up some more credible vunue's as on the surface it sounds a bit sad and I'm not sure if a lot of fans would turn up at such a venue to see a once great band reduced to this. Maybe this is controversal but surely they have a bit more credibility and someone needs to say this.
Rats in Butlins? Just as well there wasn't a band called the ****roaches playing too - environmental health services would have been kept busy!
Lisa wrote: Rats in Butlins? Just as well there wasn't a band called the ****roaches playing too - environmental health services would have been kept busy!
Maybe I should have put kochroaches to keep the German flavour. Hate it when it bleeps stuff out!
BTW cheese is kase, no is kein or keine and one way ticket is, wait for it, einfache Fahrkarte!! Best to say that when you've not had too many biers unless you want to get punched
noelindublin wrote:Rats in Butlins? Hopefully in the spring and summer they can line up some more credible vunue's as on the surface it sounds a bit sad and I'm not sure if a lot of fans would turn up at such a venue to see a once great band reduced to this. Maybe this is controversal but surely they have a bit more credibility and someone needs to say this.
I don't think it is controversial.
When the new Rats started they played the 100 Club and the Empress Ballroom and my hope was that they would build an audience from festival appearances and maybe one day play larger venues again. Now it's the Bognor 70s weekend.
However, in order to keep playing they probably have to take these less than credible gigs, and who knows they may get bigger audiences because of it.
The Rats seem to be falling between the two stools of a reunion and a tribute band. IMHO they are the former rather than the latter, but are increasingly becoming associated with the tribute bands. Sans Geldof, that is probably how most people see them.
Right now, I'm glad there is a band called The Boomtown Rats playing gigs around the UK, and losing a bit of credibility (if they have any in some people's eyes) doesn't seem too high a price to pay for that. I'll still go and see them. Though maybe not at Butlins.
A lot of the festivals the played during the summer were quite good so I've no real problem of that score. I'd imagine most of the audience at Butlins were going for a fancy dress seventies night and were not too particular about who they saw. Equally any proper music fan might expect a bit more and would most likely stay away and be put off going to see them when they play a more 'normal ' venue where people actually respect the band rather than going for a boozy laugh and a bit of dressing up.
The Swindon date in January seems more of the same. Ex members of T Rex doing the time warp again.
My main point is that there can be credible, well though out 'punk' nostalgia nights, but things like good proper rock venues, and interesting, worthy billing help to make the whole thing something that a music fan might want to go to see, rather than a jokey night out at a holiday camp for people that know little about music.
But I suppose in the end its all about the money, as the song goes.
-- Edited by noelindublin on Wednesday 7th of December 2011 03:18:58 PM
noelindublin wrote:My main point is that there can be credible, well though out 'punk' nostalgia nights, but things like good proper rock venues, and interesting, worthy billing help to make the whole thing something that a music fan might want to go to see, rather than a jokey night out at a holiday camp for people that know little about music.
Rebellion in Blackpool fits that bill staged at the Empress Ballroom. The Damned headlined a Rebellion night before Christmas 2008 at the Kentish Town Forum.
I reckon a new wave festival/night would be easy to sell tickets for. In the last month or so Simple Minds and Paul Weller have annouced dates at the Roundhouse and sold out.
Given The Blockheads, Eddie & The Hot Rods and The Rats are in the RAM stable along with From The Jam, RAM nights at decent venues around the country should sell well and give extra exposure to each of the acts. I'll leave that to Pete Barton . Shades of falling asunder.
-- Edited by ArrGee on Wednesday 7th of December 2011 04:52:33 PM
Nobody wants the Rats to turn into a parody that would play anywhere and on any line up, but the gig Suss described in Belgium seemed to be headlined by some heavy rock, leader trousered Flemish act that he wrote about with wry amusement.
Even Eddie and the Hot Rods are known for being a bit of a novelty band with one hit. Maybe Geldof has moved ahead in the credibility stakes, actually writing new songs and releasing an album and playing largely music he is doing now, or in the last ten years and not in holiday camps!
Don't get me wrong. I realise that the new Rats have to make money, so does everyone, and I don't mean to be too critical. Most of the time they get it right so maybe the odd lapse if forgivable, and none of my business!
Lisa wrote: Rats in Butlins? Just as well there wasn't a band called the ****roaches playing too - environmental health services would have been kept busy!
Maybe I should have put kochroaches to keep the German flavour. Hate it when it bleeps stuff out!
BTW cheese is kase, no is kein or keine and one way ticket is, wait for it, einfache Fahrkarte!! Best to say that when you've not had too many biers unless you want to get punched
Years ago I started learning Dutch just as a hobby, and now I have a reasobably grasp of the language. Dutch is a lot like German, but I do not know any German but can sort of make out what is being said when I compare it to Dutch. I am far from fluent, but I enjoy learning Dutch words and phrases.
Kaas is the Dutch word for cheese. Lots of Dutch words are similar to English.
Spanish and Italian and French seem easier than German and Dutch. There are so many words borrowed from different languages, that the more languages you know the easier it gets to learn a new one.
It is amusing when one word is one language has a naughy meaning in another like the German word for art, kunst. Are Einfacht Fahrkararte in the Champions League this year?
Maybe Geldof has moved ahead in the credibility stakes, actually writing new songs and releasing an album and playing largely music he is doing now, or in the last ten years and not in holiday camps!
Don't get me wrong. I realise that the new Rats have to make money, so does everyone, and I don't mean to be too critical. Most of the time they get it right so maybe the odd lapse is forgivable, and none of my business!
I think that Geldof has restored some credibility in recent months by getting some positive reviews and not cancelling gigs (Scandanavia excepted). Making new records helps and his current set list sensibly draws on the better songs off the last two albums along with some Rats classics.
With The Rats it is very different. I don't suppose they are affluent enough to bankroll a tour, I'm pretty sure Geldof doesn't make money with music, and are dependant on who books them.
Sadly the fanbase of both isn't really big enough for them to be too picky. I don't suppose Geldof ever thought he'd end up playing at the Whitley Bay Playhouse.
noelindublin wrote:My main point is that there can be credible, well though out 'punk' nostalgia nights, but things like good proper rock venues, and interesting, worthy billing help to make the whole thing something that a music fan might want to go to see, rather than a jokey night out at a holiday camp for people that know little about music.
Rebellion in Blackpool fits that bill staged at the Empress Ballroom. The Damned headlined a Rebellion night before Christmas 2008 at the Kentish Town Forum.
I reckon a new wave festival/night would be easy to sell tickets for. In the last month or so Simple Minds and Paul Weller have annouced dates at the Roundhouse and sold out.
Given The Blockheads, Eddie & The Hot Rods and The Rats are in the RAM stable along with From The Jam, RAM nights at decent venues around the country should sell well and give extra exposure to each of the acts. I'll leave that to Pete Barton . Shades of falling asunder.
-- Edited by ArrGee on Wednesday 7th of December 2011 04:52:33 PM
Tend to agree with Noel that there's a stigma about playing the likes of Butlin's, but surely that's just us being a bit prejudiced or snobby in perception of "cool" venues. My recent experiences of Brean and Bognor have largely overturned my thoughts along similar lines, and the sound in both (maybe coincidentally) was excellent.
The downside for me is that a small percentage of crowd if any are there because Rats are billed, but I'd sooner have 700 pleasanty surprised and spreading the word than 70 die hards in an uber cool venue with big gaps on the floor.
I'm pretty sure the festivals are where the band make more money.
The band are in Porth (near Cardiff) the night before their slot, so a ready made opportunity to compare cool venue with holiday camp and reach your own conclusions.
So, anyone up for a weekend in Butlins, Minehead???
If there's enough of us I'll gladly look into a minibus for a night pass out to Porth on the Saturday.
The downside for me is that a small percentage of crowd if any are there because Rats are billed, but I'd sooner have 700 pleasanty surprised and spreading the word than 70 die hards in an uber cool venue with big gaps on the floor.
I'm pretty sure the festivals are where the band make more money.
So, anyone up for a weekend in Butlins, Minehead???
70 die hards? I reckon there are only 7 . Yes, festivals are the best way to make money and reach an audience. I'm sure The Horrors sales went up after supporting Pulp @ Wireless.
I like the idea of a weekend (Wilko Johnson! The Damned! wow!) but it's going to be a difficult sell. If it was somewhere like Bath or Cambridge then it'd be easy, but Minehead or Fife, mmm.
Not sure he gets that much, the £120 is for the accommodation etc. Also assumes that 5,000 fools do exist.
No he won't get 595k, but PA has been selling thousands of tickets per gig at £30 per ticket.
The holiday camps are becoming very popular for gigs in the winter. People stay for the night or weekend and don't have to worry about getting home on the night of the gig.
BTR wrote:No he won't get 595k, but PA has been selling thousands of tickets per gig at £30 per ticket.
The holiday camps are becoming very popular for gigs in the winter. People stay for the night or weekend and don't have to worry about getting home on the night of the gig.