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I have recollections of questionnaires in pop mags (was prob Smash Hits) where stars of the time were asked in one of the questions about favourite artists and the choices never ceased to surprise me.
By that I mean, for example, that a 'new wave' artist would very often cite someone poles apart musically from previous years and rarely if ever mention any contemporaries. Would need to dig out some evidence but you get my drift.
In summary, I expect this list to be more 70-75 than 76-79. I suppose a Feelgood track is to be expected, but will be interested if there are artists that we would never categorise as remotely similar to Rats or their peers.
That said, I suppose being musically accomplished puts Rats in a different camp to many of their peers anyway.
-- Edited by suss on Sunday 8th of January 2012 10:35:44 AM
I have recollections of questionnaires in pop mags (was prob Smash Hits) where stars of the time were asked in one of the questions about favourite artists and the choices never ceased to surprise me.
By that I mean, for example, that a 'new wave' artist would very often cite someone poles apart musically from previous years and rarely if ever mention any contemporaries. Would need to dig out some evidence but you get my drift.
In summary, I expect this list to be more 70-75 than 76-79. I suppose a Feelgood track is to be expected, but will be interested if there are artists that we would never categorise as remotely similar to Rats or their peers.
That said, I suppose being musically accomplished puts Rats in a different camp to many of their peers anyway.
-- Edited by suss on Sunday 8th of January 2012 10:35:44 AM
Certain of the new wave bands the Rats got on with eg Sex Pistols, Elvis Costello and some of the others they didn't have much time for. I've got an interview with Geldof in which he says the Jam were 'crap', and he says there was bad blood between the Clash and the Rats, Geldof claims which was foisted on the Rats by the Clash management rather then the band themselves. Or that's Geldof's side of the story.
I supose at that time each band had to concentrate on their own career and songs and not to worry about what all the rest were up to. Paul Weller never liked the Boomtown Rats, nor did Morrissey for that matter but I think it may be more to do with Geldof's overbearing ,'loudmouth' personality than a proper analysis of the music.
I wonder which songs Simon will choose. Maybe we should all do a 'seven from the seventies' selection. Of course in choosing these songs there's the serious side and the more cheesy, flippant selections and I'd imagine Simon will have his serious head on in choosing today's songs.
Simon choose Little Feat's All That I Dream and Menessas Right Now. Menessas was an early seventies project for Steven Stills and these two songs for me stood out, maybe because the others were familiar.
Simon did not actually appear on the programme- it was just the presenter Clive Eakin doing the countdown, but the Rats got copious mentions. Simon's other choices includes Bowie's Sound and Vision, T Rex Get it On and Sex Pistols Anarchy In The Uk and Rolling Stones Rocks Off.
-- Edited by noelindublin on Sunday 8th of January 2012 03:59:58 PM
Certain of the new wave bands the Rats got on with eg Sex Pistols, Elvis Costello ...
Elvis Costello never got on with The Rats. He was very scathing of them.
Must have been serious-Wonder how Costello got to perform at Live Aid when Geldof was mostly calling the shots. Costello was hardly 1985 Box Office like Duran or Spandau or Wham so there must have been a certain mutual appreciation or relationship.
Would have though at least Costello would side with the Irish, like Liam Gallagher and that Kasabian guy and the rest of them, who are good at playing the green card when it suits them.
Certain of the new wave bands the Rats got on with eg Sex Pistols, Elvis Costello and some of the others they didn't have much time for. I've got an interview with Geldof in which he says the Jam were 'crap', and he says there was bad blood between the Clash and the Rats, Geldof claims which was foisted on the Rats by the Clash management rather then the band themselves. Or that's Geldof's side of the story.
I supose at that time each band had to concentrate on their own career and songs and not to worry about what all the rest were up to. Paul Weller never liked the Boomtown Rats, nor did Morrissey for that matter but I think it may be more to do with Geldof's overbearing ,'loudmouth' personality than a proper analysis of the music.
I wonder which songs Simon will choose. Maybe we should all do a 'seven from the seventies' selection. Of course in choosing these songs there's the serious side and the more cheesy, flippant selections and I'd imagine Simon will have his serious head on in choosing today's songs.
I suppose that in same way we each have our preferences (Boney M and proud of it ) then we need to be careful not to assume Geldof's statements represent the band, whether he ever meant what he said or not. I can't believe that to a man they really thought the Jam were (always) crap.
The comment above about analysis of the music is the key one, and from what the BBC DJ was saying between tracks it seems Simon selected on that basis in the main. Was surprised Anarchy in UK was included though, as that was surely more of a catalyst than a musical highlight of the 10 years. Perhaps there's an acknowledgement that without it we wouldn't even have this forum.
Seven from the 70s is something I could spend weeks considering, then still change my mind. For the sake of proving a point that we all love the Rats but beyond that we're probably incredibly diverse I'll venture a very very impromptu seven.
In no particular order, but using criteria from the show (i.e. include one from 'your' band)
1. I Never Loved Eva Braun - my all time favourite song by anyone, ever. The notion of eliciting sympathy for Adolf, as if she used him and he was beneath it all an honourable man, is lyrical genius. Combine that with a composition that allows every other instrument to play a prominent part and even with tongue in cheek ironically echoes 'Let's Spend the Night Together', and for me it's Geldof's finest hour.
2. Teenage Kicks - complete opposite in terms of complexity, and therein lies the beauty. Simple song on the eternal subject matter. Simply brilliant.
3. Just What I Needed - for the way it builds instrument by instrument, and a good old tune to boot. For me this one couldn't be from any other time than 70s.
4. Complete Control - sums up punk in three minutes. React all you want, but always at the mercy of the suits ultimately, and they knew it from the outset. Just edges out London Calling from the list of 7.
5. Down in the Tube Station at Midnight - possibly the finest story song I've heard, and the music supplements it perfectly. Train on the track drumming, punchy bordering on violent bass, and plaintive guitar. Still think of it on the platforms waiting for a late tube out of town.
6. Goodbye Yellow Brick Road - not altogether sure what it represents, ostensibly about the insincere and arrogant nature of high society I guess, but cracking choon! Never could hit those high notes.
7. Wild West Hero - for similar reasons to above; not significant lyrically, but the crescendo choruses blow me away.
As suspected, thought of another 20 or so even in the half hour putting this together. Can't believe there's no Queen or Bowie, or Boney M .
At least half a dozen 'new wave' tracks that would be in a top 20 list, and having to leave 'Ernie' out was a tough call.
OK, at the risk of being accused of being innumerate, here's some faves from the seventies. Sorry so many, just really hard to narrow down! Can't really give individual reasons why I like them - just remember the buzz from either hearing them at the time on the radio or TOTP, or a few years after when catching up and listening to albums. Or just memories from the time, eg hearing Specials album on a school coach trip to Switzerland, and associated recollections, eg no seatbelts on coach and just kipping on the floor in the aisles of the coach at night, plus coach drivers getting done for speeding etc etc. Those were the days - just fun and freedom, apart from the homework of course ........
I Only Want To Be With You - Tourists I Want To Be Free - Toyah Picture This - Blondie Duchess - Stranglers Baker Street - Gerry Rafferty London Calling - Clash Cool for Cats - Squeeze Cruel To Be Kind - Nick Lowe Like Clockwork - Rats Celluloid Heroes - Kinks Time - Bowie Eton Rifles - Jam (really preferred Going Underground but that's 80s isn't it?) Bang Bang - B A Robertson Ghost Town - Specials
OK, at the risk of being accused of being innumerate, here's some faves from the seventies. Sorry so many, just really hard to narrow down! Can't really give individual reasons why I like them - just remember the buzz from either hearing them at the time on the radio or TOTP, or a few years after when catching up and listening to albums. Or just memories from the time, eg hearing Specials album on a school coach trip to Switzerland, and associated recollections, eg no seatbelts on coach and just kipping on the floor in the aisles of the coach at night, plus coach drivers getting done for speeding etc etc. Those were the days - just fun and freedom, apart from the homework of course ........
I Only Want To Be With You - Tourists I Want To Be Free - Toyah Picture This - Blondie Duchess - Stranglers Baker Street - Gerry Rafferty London Calling - Clash Cool for Cats - Squeeze Cruel To Be Kind - Nick Lowe Like Clockwork - Rats Celluloid Heroes - Kinks Time - Bowie Eton Rifles - Jam (really preferred Going Underground but that's 80s isn't it?) Bang Bang - B A Robertson Ghost Town - Specials
BA Robertson produced loads of great singles ,and he was an amazing lyricist- a lot of his references getting lost on the sheepish TOTP crowd. Saint Saens was likely to perplex the teenyboppers but it's better to aim for the highbrow than lowbrow, in my opinion!
Doubt if any of them knew what a kaftan was. To Be Or Not To Be reminds me of secondary school, studying the Merchant Of Venice for English class around 1979, that song is chockablock with clever Shakespearean references.
As I've been learning Spanish for the last few weeks I am reminded of this song Y Viva Espana from back in the seventies, which we used to sing in school. I was about eight or nine at the time! The artist is Sylvia.
OK, at the risk of being accused of being innumerate, here's some faves from the seventies...
Ghost Town - Specials
Ghost Town is from the 1980s.
Seven songs is a bit limited, but here are a seven
Rat Trap - Boomtown Rats
The Ballroom Blitz - Sweet
Hot Love - T. Rex
Oliver's Army - Elvis Costello
C'mon Feel The Noize - Slade
Won't Get Fooled Again - Who
Don't Fear The Reaper - Blue Öyster Cult
Also had Bowie, Ramones, Pistols, Damned, Stranglers, Buzz****s, Dr. Feelgood, Lou Reed, Blondie, Squeeze, Thin Lizzy, Sparks, Alice Cooper, Roxy Music among others.
-- Edited by ArrGee on Tuesday 10th of January 2012 04:20:58 PM
OK, at the risk of being accused of being innumerate, here's some faves from the seventies...
Ghost Town - Specials
Ghost Town is from the 1980s.
Seven songs is a bit limited, but here are a seven
Rat Trap - Boomtown Rats
The Ballroom Blitz - Sweet
Hot Love - T. Rex
Oliver's Army - Elvis Costello
C'mon Feel The Noize - Slade
Won't Get Fooled Again - Who
Don't Fear The Reaper - Blue Öyster Cult
Also had Bowie, Ramones, Pistols, Damned, Stranglers, Buzz****s, Dr. Feelgood, Lou Reed, Blondie, Squeeze, Thin Lizzy, Sparks, Alice Cooper, Roxy Music among others.
-- Edited by ArrGee on Tuesday 10th of January 2012 04:20:58 PM
Oops! Well maybe I am really innumerate! In my defence, it was still a long time ago - and, well, erm, obviously didn't research it properly - due to my intense work ethic and not wishing to distract myself for too long away from my important work duties
I could have A Message To You Rudy instead - or maybe just start again and do another 7 tracks
Re: Blue Oyster Cult - blast from the past. Had to listen to them a lot due to hubby's musical tastes. Some of it was good - and at least it made a change from Pink Floyd .......
Oops! Well maybe I am really innumerate! In my defence, it was still a long time ago - and, well, erm, obviously didn't research it properly - due to my intense work ethic and not wishing to distract myself for too long away from my important work duties
...
Re: Blue Oyster Cult - blast from the past. Had to listen to them a lot due to hubby's musical tastes. Some of it was good - and at least it made a change from Pink Floyd .......
Fair enough, idlers like me have nothing better to do than being pedantic.
I'm not really a fan of neither Blue Öyster Cult nor The Who, but those two songs are more or less perfect. As for Pink, I've never understood all the fuss about him (sic). Likewise Led Zep. Both totally overrated
Baker Street by Gerry Rafferty is one of the great singles from the 1970's- great lyrics about giving up the booze and the one night stands.
Stuck In The Middle With You, also by Rafferty when he was in Stealers Wheel again stands out as a great single.
Bully For You by Tom Robinson was a great song.
If I was to choose one song as overrated I would choose Anarchy In The UK. It's wheeled out almost anytime punk in mentioned. The lyrics are rubbish and how can one want to 'be anarchy'. Reminds me of the lines from Macbeth about life being 'a tale told by an idiot, full of sound and fury, signifying nothing'. Starting to think that the 1980's illegal partying/rave scene was more important than punk in that people put their money where their mouth's were and went out and broke the law and took illegal drugs whereas punk was all about wearing badges and token rebellion.
Magazine produced great punk singles with really great lyrics to match but as usual the plebs win out. The Boomtown rats and XTC again are almost written out of punk history while the Pistols are totally overrated in my opinion.
-- Edited by noelindublin on Thursday 12th of January 2012 01:55:23 PM
If I was to choose one song as overrated I would choose Anarchy In The UK. It's wheeled out almost anytime punk in mentioned. The lyrics are rubbish and how can one want to 'be anarchy'. Reminds me of the lines from Macbeth about life being 'a tale told by an idiot, full of sound and fury, signifying nothing'. Starting to think that the 1980's illegal partying/rave scene was more important than punk in that people put their money where their mouth's were and went out and broke the law and took illegal drugs whereas punk was all about wearing badges and token rebellion.
Magazine produced great punk singles with really great lyrics to match but as usual the plebs win out. The Boomtown rats and XTC again are almost written out of punk history while the Pistols are totally overrated in my opinion.
-- Edited by noelindublin on Thursday 12th of January 2012 01:55:23 PM
The Ukulele Orchestra of Great Britain do a great (though not exactly serious!) version of Anarchy in the UK - it's on a CD called Live in London#1. And it's brilliant when they play it live - lots of audience participation
Thanks for finding youtube clip, Noel! Hadn't seen the Mike Flowers one before - certainly interesting to see different takes on songs you know and love! There are also Uke clips of Teenage Dirtbag, Smells like Teen Spirit and Psycho Killer which are fun!
Mike Flowers Pops was a spoof lounge act that did covers of a lot of the Britpop songs of the 1990's as well as covers of famous classic songs.
Their skill, like the yukelele guys, was to suck the lifeblood out of any song, but they were quite funny. They, of course, are based on real lounge acts of the late sixties and early seventies, who did this sort of thing , without a hint of irony, but there was a lot of drugs around at that time, if that's ever an excuse.
A lot of that sort of humour is to be found in the brilliant Austin Powers movie series, a kitsch pastiche of sixties music and film culture.